Everywhere liberals take the reins, morality seems to crumble. Public schools are hubs for moral decay. Violent riots on college campuses have become the norm. Media outlets push propaganda instead of facts, and television churns out trashier content with each passing year.
But perhaps the most glaring example of this cultural decay is in Hollywood. For years, woke filmmakers have been lecturing Americans on what to believe while actively tearing down traditional values.
And what do they hate most? Christmas. Hollywood has had it out for this sacred holiday for decades, portraying it as outdated, exclusionary, and in need of a progressive makeover.
But their latest Christmas-themed movie might take the fruitcake.
It’s the Christmas season, and with it comes new Christmas movies. One of those supposedly kid-friendly films is called “Dear Santa” — which stars Jack Black as Satan…
In the film, his character is summoned by a dyslexic 6th-grader named Liam who had accidentally written “Satan” instead of “Santa” on a letter. Satan then attempts to get Liam to sell his soul for a few granted wishes. Liam then mistakes Satan for the actual Santa Claus and is told that any three wishes he wants will be granted — but the cost is spending eternity in hell. [Source: The Blaze]
Dear Santa tells the story of a dyslexic six-year-old named Liam who accidentally writes a letter to “Satan” instead of “Santa.” Predictably, chaos ensues.
Satan, played by Jack Black, seizes the opportunity to con the boy into trading his soul for three wishes. Liam, clueless about the identity of his newfound “friend,” believes Satan is Santa and goes along with the deal.
One wish later, and Satan resurrects Liam’s brother. Cue the moral messaging: the film bizarrely portrays Satan as a figure capable of “occasional goodwill.”
Hollywood isn’t even trying to hide its disdain for traditional Christmas values anymore. The most disturbing line in the film? The child declares, “Meeting Satan may have been the best thing that ever happened to me.” That’s not holiday cheer—that’s a warped, dangerous message being peddled to children.
Conservative commentator Allie Beth Stuckey didn’t mince words about this debacle. “What is it about children and demonic ideologies and witchcraft that so many progressives and Hollywood seem to love?” she asked.
And it’s a fair question. For years, Hollywood has been obsessed with injecting dark, anti-moral themes into kid-friendly content. Whether it’s witchcraft, occult symbolism, or now Satan himself, the entertainment industry seems fixated on tearing down innocence.
Stuckey warns that Dear Santa’s message is dangerous, especially for young viewers. By presenting Satan as someone with a shred of goodwill, the film risks normalizing dangerous ideas.
“This is a horrifying message,” she said. “You should not even allow your teenagers to watch something like this. It would get them excited about trying to communicate with Satan.”
She’s not wrong. The idea of portraying demonic forces as misunderstood or even helpful figures is a slippery slope, especially for impressionable minds.
It’s no surprise that Jack Black, a staunch progressive and Kamala Harris supporter, would sign onto a project like this. For years, Hollywood elites like him have been dismantling traditional values under the guise of “entertainment.”
Christmas, with its message of joy, faith, and family, is a natural target. The film’s subtext feels all too familiar: undermine traditional morality and replace it with relativism.
But Dear Santa isn’t just anti-Christmas—it’s anti-decency. When a movie designed for families portrays Satan as someone worth trusting, we’re not talking about creative storytelling. We’re talking about cultural sabotage.
Critics of the film, like Stuckey, are right to point out the risks of marketing such themes to children. At its core, Dear Santa sends a message that it’s okay to flirt with darkness.
It glamorizes the idea of making deals with the devil while downplaying the moral consequences. Sure, the movie may try to wrap itself in humor and holiday charm, but the underlying message is clear—and deeply troubling.
This isn’t just about one movie. It’s about a broader cultural shift. Hollywood’s obsession with eroding values and pushing woke ideology isn’t new, but Dear Santa feels like a tipping point.
It’s proof that no tradition, no matter how sacred, is off-limits in the name of “progressive storytelling.”
Americans must ask themselves: Is this the kind of content we want shaping our children? Do we really want an industry that can’t even respect Christmas to be our moral compass?
Author: Kit Fargo
